A revolutionary movement that originated in [[Paris]] around 1907, fragmenting objects into geometric forms and presenting multiple perspectives simultaneously on a single plane. It was pioneered by [[Pablo Picasso]], whose [[Les Demoiselles d'Avignon - Pablo Picasso (1907)|Les Demoiselles d'Avignon]] is often cited as its watershed moment, and [[Georges Braque]], with later contributions from [[Juan Gris]]—as in his [[Still Life with Flowers - Juan Gris (1912)|Still Life with Flowers]]—and [[Fernand Léger]]. It succeeded [[Post-Impressionism]]—particularly the structural experiments of [[Paul Cézanne]]—and fundamentally broke from traditional single-point perspective.