A movement that emerged in [[New York|New York City]] in the early 1960s, stripping art down to its essential geometric forms, industrial materials, and literal presence, removing all personal expression and narrative. Key figures include [[Donald Judd]], [[Dan Flavin]]—whose [[monument 1 for V. Tatlin - Dan Flavin (1964)|monument 1 for V. Tatlin]] distills sculpture to pure fluorescent light—[[Agnes Martin]], and [[Frank Stella]]. It reacted against the emotional subjectivity of [[Abstract Expressionism]], insisting that "what you see is what you see."